La canción de las figuras de José María Eguren frente a Los heraldos negros de César Vallejo: una perspectiva comparative

Camilo Rubén Fernández-Cozman

La canción de las figuras de José María Eguren frente a Los heraldos negros de César Vallejo: una perspectiva comparative

Translated title of the contribution: The song of the figures of José María Eguren in front of the black heralds of César Vallejo: A comparative perspective

Camilo Rubén Fernández-Cozman

Research output: Contribution to journal › Article › peer-review

Abstract

The purpose of this article is to compare two fundamental collections of poems of the Peruvian literary tradition: The song of the figures by José María Eguren and Los heraldos negros by César Vallejo. The author uses a comparative perspective and highlights two essential aspects of contemporary poetics: The writing of suicide and the specialization of the modern poet. To fulfill this objective, the author is based on the ideas of Roland Barthes, Octavio Paz and Jacques Rancière.

Translated title of the contribution	The song of the figures of José María Eguren in front of the black heralds of César Vallejo: A comparative perspective
Original language	Spanish
Journal	Tonos Digital
Volume	42
State	Published - Jan 2022
Externally published	Yes

Bibliographical note

Publisher Copyright:
© 2022 Universidad de Murcia Servicio de Publicaciones. All rights reserved.

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Cite this

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title = "La canci{\'o}n de las figuras de Jos{\'e} Mar{\'i}a Eguren frente a Los heraldos negros de C{\'e}sar Vallejo: una perspectiva comparative",

abstract = "The purpose of this article is to compare two fundamental collections of poems of the Peruvian literary tradition: The song of the figures by Jos{\'e} Mar{\'i}a Eguren and Los heraldos negros by C{\'e}sar Vallejo. The author uses a comparative perspective and highlights two essential aspects of contemporary poetics: The writing of suicide and the specialization of the modern poet. To fulfill this objective, the author is based on the ideas of Roland Barthes, Octavio Paz and Jacques Ranci{\`e}re.",

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AB - The purpose of this article is to compare two fundamental collections of poems of the Peruvian literary tradition: The song of the figures by José María Eguren and Los heraldos negros by César Vallejo. The author uses a comparative perspective and highlights two essential aspects of contemporary poetics: The writing of suicide and the specialization of the modern poet. To fulfill this objective, the author is based on the ideas of Roland Barthes, Octavio Paz and Jacques Rancière.

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KW - tradition

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La canción de las figuras de José María Eguren frente a Los heraldos negros de César Vallejo: una perspectiva comparative

Abstract

Bibliographical note

UN SDGs

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