Canto de sirena de gregorio martínez y la estética de la novela posterior al “boom”

Título traducido de la contribución: Canto de sirena by gregorio martínez and the aesthetics of the novel after the “boom”

Producción científica: Contribución a una revistaArtículorevisión exhaustiva

1 Cita (Scopus)

Resumen

In this article, the novel Canto de sirena by peruvian writer Gregorio Martínez (1942-2017) is analyzed based on the aesthetics that nurtured postboom writers. Our purpose is to observe the use of certain assumptions, principles and strategies that were generated for the new novelist in response to the aesthetics of the “boom” and the project of the total novel that became his novelistic ideal. We use the theoretical framework and the ideas put forward by Ángel Rama (1981) and Antonio Skármeta (1984) around the new generation of Latin American narrators.

Título traducido de la contribuciónCanto de sirena by gregorio martínez and the aesthetics of the novel after the “boom”
Idioma originalEspañol
Páginas (desde-hasta)11-24
Número de páginas14
PublicaciónActa Literaria
Volumen2018
N.º57
DOI
EstadoPublicada - dic. 2018

Nota bibliográfica

Publisher Copyright:
© 2018, Universidad de Concepcion. All rights reserved.

Palabras clave

  • Canto de sirena
  • Gregorio martínez
  • Latin american novel
  • Postboom

Huella

Profundice en los temas de investigación de 'Canto de sirena by gregorio martínez and the aesthetics of the novel after the “boom”'. En conjunto forman una huella única.

Citar esto